Benodebehari Mukherjee (1904 -
                              1980) - 
								Santiniketan Centenary
                              Retrospective Exhibition curated by Gulammohammed
                              Sheikh & Siva Kumar 
								New Delhi: December 30th 2006 - February 11th 
								2007
						          Acknowledgements 
								  
												Text - R.Sivakumar
						GM & Nilima Sheikh 
						Identification of Japan trip photos -
						Omuka Toshiharu
						Tsutomu Mizusawa 
						Design and formatting of CD -
						Pushkar Nagwekar,
						Kinjal Vora,
						Sukhdev Rathod,
						Sanjoy Kumar Malik 
						Voice -
						Indrapramit Roy 
								 
								 
								
								Santiniketan, a quiet rural retreat and the 
								location of an unconventional school founded by 
								Rabindranath Tagore in 1901, shaped the life and 
								workof Benodebehari. Conceived against the 
								backdrop of nationalist resurgence and modeled 
								after the tapovans or 'forest school' of ancient 
								India itfostered learning through a lived 
								contact with nature and culture.  
								 
								The years Benodebehari spent in Santiniketan as 
								a student were also the institution’s most 
								formative years. In 1919, two years after he 
								joined Santiniketan, Kala Bhavana, a new art 
								school was founded and Benodebehari enrolled 
								himself as one of its first students. Within two 
								years, with the founding of Visva Bharati, which 
								had for its motto ‘where the world comes to meet 
								at one nest’, Santiniketan’s progress from a 
								nationalist school into a world university was 
								complete. Under 
								the influence of Rabindranath’sprogressive ideas 
								Kala Bhavana looked beyond the purview of 
								colonialart schools and became the nucleus of an 
								art movement with a broad, modern, orientation 
								that sought to bridge the past with the present, 
								theEast with the West and encouraged artists to 
								explore an entire gamut of creativity and 
								communication from the personal to public and 
								functional art.Benodebehari imbibed these ideas 
								as a student, and after completing his studies, 
								he became a member of theteaching faculty and 
								played a central role, along with Nandalal and 
								Ramkinkar Baij in making Santiniketanthe most 
								important centre of art in India between 1920 
								and 1947. 
                               
                              
                                
                                  
                                    
                                      
                                        
                                          
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													Santiniketan landscape, 
													early 
													20th century | 
                                                   
                                                
                                               
                                             
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													Rabindranath in 
													conversation 
													with Pearson during early 
													days 
													of Santiniketan | 
                                                   
                                                
                                               
                                             
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													Kala Bhavana in early 
													days | 
                                                   
                                                
                                               
                                             
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													Inside Kala Bhavana, 
													Benodebehari teaching | 
                                                   
                                                
                                               
                                             
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													Binodebehari (second 
													row third 
													from left) with Nandalal 
													Bose, 
													(front row second from 
													left), 
													Ram Kinker Baij (extreme 
													right), 
													and other students of Kala 
													Bhavana. | 
                                                   
                                                
                                               
                                             
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